Get Work As A Fantasy Artist Tom Baxa 9780990507703 Books
Download As PDF : Get Work As A Fantasy Artist Tom Baxa 9780990507703 Books
World renowned fantasy illustrator Tom Baxa has released Get Work as a Fantasy Artist, a comprehensive success book filled with real world strategies and experience based insider secrets to help freelance artists formulate a winning plan to get illustration jobs in the fantasy art field.
Topics include how to build an effective illustration portfolio, how to find fantasy art job opportunities, how to identify companies to solicit and tips on how to do so, what art directors are looking for and what makes them hire artists, understanding art directors’ motives, and many other ideas on how to freelance as a fantasy artist.
The book arms artists with powerful information to guide them towards the many areas that offer jobs for artists. It’s for anyone, beginners and working illustrators alike, who wants to laser focus their efforts to make money as a fantasy illustrator painting dragons and monsters for their favorite fantasy games, books, and films!
Get Work As A Fantasy Artist Tom Baxa 9780990507703 Books
I couldn’t believe how much amazing info Baxa packed into this book! As the title implies, the book has a lot of practical, and extremely helpful, techniques to help you track down job leads in the fantasy art industry (role playing games, ccgs, video games, comics, and more). But Get Work is so much more than a simple guide to finding work.Because Baxa has been a working illustrator for over 25 years, he understands and explains all kinds of factors that help elevate you to a professional level, even before you start searching for work. Stuff I would have never thought of, but now see the value of after reading the book. This totally gives you an edge when you’re preparing art for your portfolio and showing your work to art directors.
Some of the things that really hit home for me were:
1.) The importance of getting your artwork critiqued by all levels of artists and professionals and learning how to *get in the right mindset* to receive feedback from art directors so you can get the most out of portfolio reviews.
2.) Streamlining your portfolio by creating illos that pack a punch. He explains why student work should be excluded and how to incorporate a bunch of art concepts in a single image that is powerful and shows that you understand how to compose a striking illustration. This alone improved my portfolio tremendously!
3.) Making sure the illos in your portfolio communicate the right message to art directors and show them what they need to see to pull the trigger and hire you.
4.) Effective ways of marketing your work to companies and art directors with sample packs, brochures, stand out mailers, and a strong personal website. (Baxa recommends having your own site instead of using sites like DeviantArt for your online portfolio.)
5.) I also loved all the advice about conventions for showing my portfolio around and for getting a table at a con.
There’s stuff on copyright law, photographing your art, how to read contracts and what to look for in them, what art orders are like, how to bill clients, and other business stuff.
I learned a ton in the section called “Working with Art Directors”. Baxa really helped me view art directors in a whole new light. They love art as much as I do and want to help artists if they can. He talks about the different types of ADs, the things they are looking for and thinking about when hiring artists, tips on contacting them and talking to them in person.
I could go on forever - You just have to get this book. I don’t care what level you are at, there’s something you can learn in this book. I’ve already had a couple freelance assignments, but this book is helping me step up my game!
Many people have told me not to pursue art as a career, but this book convinced me that I can make money being an illustrator doing what I love most. It also showed me all kinds of ways to find freelance art opportunities and taught me how to approach art directors with confidence. Thank you Mr. Baxa!!!
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Tags : Get Work As A Fantasy Artist [Tom Baxa] on Amazon.com. *FREE* shipping on qualifying offers. World renowned fantasy illustrator Tom Baxa has released Get Work as a Fantasy Artist, a comprehensive success book filled with real world strategies and experience based insider secrets to help freelance artists formulate a winning plan to get illustration jobs in the fantasy art field. Topics include: how to build an effective illustration portfolio,Tom Baxa,Get Work As A Fantasy Artist,Body Ritual Graphics,099050770X,Art & Art Instruction,Art Business Aspects,Art: financial aspects,Business Aspects
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Get Work As A Fantasy Artist Tom Baxa 9780990507703 Books Reviews
There’s no doubt that the info in Get Work is universal and can be applied to any genre or industry, but since I do art in several areas, I wish the book went into more depth about juggling a freelance career with clients in multiple disciplines instead of just illustration.
But regardless, I did learn a lot from this book. Like how to improve my networking skills with other artists and art directors.
I’d seen all kinds of info about conventions (like San Diego Comiccon) in the past, but I’m not into comics, so I didn’t think much about them. Wow, was I wrong. The book talks about all the opportunities that conventions have to offer for artists looking for work. It made me think about the kinds of cons or trade shows I should check out where I could talk to other artists in my fields of interest, get feedback on my work, get suggestions on where they find work, and sell my art. The part called “be where art directors search for artists” made a lot of sense too.
The book has some personal anecdotes about the author’s experiences with art directors and other professionals, but I would have enjoyed hearing more. I guess he’ll save that for his blog.
One thing I’ve always wanted to do is more life drawing. Baxa recommends drawing from life whenever possible. The book inspired me and since I read it I’ve sketched animals at the zoo, and I found a MeetUp in my area where artists get together and draw from a model.
I also thought the section on the business side of freelance jobs was enlightening. It covers fees, contracts, invoicing, shipping, and more. Overall, a pretty solid book.
I’ve been a freelance fantasy artist for several years now. I’ve always loved Thomas Baxa’s work on Magic the Gathering, so I thought I’d support him and buy the book. I’m so glad I did! I’ve been around the block a bit, but I still learned so much from the book.
The thing that this book has, unlike others that I’ve read, is some of the psychology behind getting critiques and working with art directors. Baxa is surprisingly insightful and his positive viewpoint changed my thinking.
I’ve always thought of art directors as the enemy, but now I’ve come to think of them as an ally. It’s really improved my relationship with the ADs I do work with because I’ve come to realize that they are just people doing a job, and they actually love art and artist – in fact, once I got to know them better (as Baxa recommends doing), I came to realize that most of my art directors are artist too and really understand what I’m going through as a freelancer.
Baxa has some solid advice on how to stay on an art director’s radar and for courting new ones in person, via email, social media, or by mail. He even has some sample language you can use.
Of course, to get work your art has to be good, but first it has to be seen. First Baxa gives you a lot of ways to strengthen your portfolio by telling you what to put in and leave out, and what to think about before doing an illo for your book. Then he provides all kinds of places to find art directors for the products you want to work on, how to get their attention and get them to look at your work.
Once you do land an assignment, the book gives great strategies for communicating with your art directors, staying in contact with them periodically so they call you the next time they have work to assign, and how to ask them for another assignment.
I heard from a friend who bought the ebook version that it has a section called “Advice from the Pros”. It would have been nice if it was included in the print version, but I guess it’s an ebook exclusive.
Despite this minor criticism….I highly recommend this book !!!! because it's so jam packed with useful information. And it’s the only book I’ve found devoted entirely to getting work as a fantasy artist.
As I read it, I kept thinking how much I wished I had had a book like this when I was starting out. I would have been way ahead of the game. If you’re new to freelancing, this book is a godsend!
Baxa has a no nonsense approach and tells it like it is. He helps you see the reality of things and recognize that you don’t need to fight against it, especially when you understand it and are prepared for it. That’s what this book does, it prepares your mindset for when you’re talking to art directors so that you can get the most out of the meeting.
I couldn’t believe how much amazing info Baxa packed into this book! As the title implies, the book has a lot of practical, and extremely helpful, techniques to help you track down job leads in the fantasy art industry (role playing games, ccgs, video games, comics, and more). But Get Work is so much more than a simple guide to finding work.
Because Baxa has been a working illustrator for over 25 years, he understands and explains all kinds of factors that help elevate you to a professional level, even before you start searching for work. Stuff I would have never thought of, but now see the value of after reading the book. This totally gives you an edge when you’re preparing art for your portfolio and showing your work to art directors.
Some of the things that really hit home for me were
1.) The importance of getting your artwork critiqued by all levels of artists and professionals and learning how to *get in the right mindset* to receive feedback from art directors so you can get the most out of portfolio reviews.
2.) Streamlining your portfolio by creating illos that pack a punch. He explains why student work should be excluded and how to incorporate a bunch of art concepts in a single image that is powerful and shows that you understand how to compose a striking illustration. This alone improved my portfolio tremendously!
3.) Making sure the illos in your portfolio communicate the right message to art directors and show them what they need to see to pull the trigger and hire you.
4.) Effective ways of marketing your work to companies and art directors with sample packs, brochures, stand out mailers, and a strong personal website. (Baxa recommends having your own site instead of using sites like DeviantArt for your online portfolio.)
5.) I also loved all the advice about conventions for showing my portfolio around and for getting a table at a con.
There’s stuff on copyright law, photographing your art, how to read contracts and what to look for in them, what art orders are like, how to bill clients, and other business stuff.
I learned a ton in the section called “Working with Art Directors”. Baxa really helped me view art directors in a whole new light. They love art as much as I do and want to help artists if they can. He talks about the different types of ADs, the things they are looking for and thinking about when hiring artists, tips on contacting them and talking to them in person.
I could go on forever - You just have to get this book. I don’t care what level you are at, there’s something you can learn in this book. I’ve already had a couple freelance assignments, but this book is helping me step up my game!
Many people have told me not to pursue art as a career, but this book convinced me that I can make money being an illustrator doing what I love most. It also showed me all kinds of ways to find freelance art opportunities and taught me how to approach art directors with confidence. Thank you Mr. Baxa!!!
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